d'ettut

d’ettut is an enigma and intends to stay that way. They have no vested political interests apart from a desire to help facilitate a movement which could bring about an equitable global society. They do not aspire to any particular role in such a movement nor do they wish to gain anything financially. Their books are intended to assist in the quest to help the world gain social fairness and a global conscience with a cosmological, existential twist.

Their literary style varies. None of it is intended to be merely entertaining. It is confronting, didactic and enlightening (one hopes). They write about social justice and target youthful, very literate, Harry Potter-type readers who are now real-world savvy and, like Harry, are bursting to take on the establishment, as well as Baby Boomers; especially those who might be feeling guilty about the way civilisation has ended up under their watch.

d’ettut created a literary style called ‘fusion fiction’. Fusion fiction they define as ‘literary bisociation’, to borrow a term used by Koestler and Edward de Bono. It’s a pairing of semi fictional plots with slabs of ‘borrowed’ and authentic text taken selectively from journals relevant to their thesis with no formal quotation or referencing. d’ettut says, ‘Like Andy Warhol paintings of unacknowledged Campbell’s soup cans, this is a collage of written down ideas, a creative plagiarism to send a cerebral message.’

After decades of writing, d’ettut’s works have been focused on the ‘Century of Insanity’. Recently, 2 tomes have been created primarily for a reader-market who hasn’t been born yet. Through the lens of satire they will read about the thoughts, beliefs and aspirations of those who lived in our ‘Century of Insanity’, 1950-2050. But current generations might also be interested in learning what all ‘our’ thoughts are ‘now’.